Catalogue

  

Cathedral of Cuenca E-CU

  

 

Signature

 

 

Title

 

Staff

 

Section   II – Masses without orchestra

 

E-CU I-4

Mass for 8, without title

S1,A1,T1,B1; S2,A2,T2,B2. Ac.

E-CU II-8

Mass for 8, Confitemini

S1,A1,T1; S2,A2,T2,B2. B1 is left

 

Section   IV – Masses very incompletes

 

E-CU IV-3

Mass for 8, Ecce Sacerdus Magnus

A1; A2,B2. Ac.

E-CU IV-10

Mass for 8, Regina Coeli

T1.

E-CU IV-12

Mass for 11, Tota Pulchra

A2,ABar2,T2; A3,B3.

 

Section   VI – Loose Motets al Santísimo

 

E-CU VI-65

Motet for 8, Exaudi Deus

S1,A1,T1,B1; S2,A2,T2,B2. Ac.

 

Section   VIII – Loose Motets a la Santísima Virgen

 

E-CU VIII-2

Motet for 9 with violins and clarions ad libitum, Qua est ista.

S1,A1,T1,B1; S2,A2,T2,B2; S3. Vl1,Vl2, Clarín1,Clarín2, Órg.

E-CU VIII-3

Motet for 9 Al Patrocinio de Ntra. Sra. with violins ad libitum,

Ad Virginem Matrem

T1; S2,A2,T2,B2; S3,A3,T3,B3. Vl1,Vl2, Vln,Órg1,Órg2.

E-CU VIII-5

Motet for 8 a Ntra. Sra.

S1. Cbjo. The rest of voices are left

E-CU VIII-7

Motet for 8 with violins Para la Visitación de Ntra. Sra., Surge Propera

S11,S21,A1,T1; S2,A2,T2,B2.

Vl1,Vl2,Vln,Ac.

E-CU VIII-11

Motet for 8 with violins ad libitum a Ntra. Sra., Dum Esset Rex

S11,S21,A1,T1; S2,A2,T2,B2.

Ac. Vl1,Vl2,Cbjo,Órg.(dup).

E-CU VIII-12

Motet for 9 with violins, Sancta et Inmaculata Virginitas

S11Solo,S11,S21,A1,T1; S2,A2,T2,B2.   Vl1,Vl2,Cbjo,Órg1,Órg2.

E-CU VIII-16

Motet for 7 with violins a la Presentación, Audi Filia

S1,A1,T1; S2,T2,B2. Vl1,Vl2,Cbjo,Órg.

A2 is left

E-CU VIII-18

Motet for 8 with violins, Doleo super te

S11,S21,A1,T1; S2,A2,T2,B2. Vl1,Vl2,Vln,Bajón o Fagot, Ac.

E-CU VIII-28

Motet for 6 with violins Al Nombre de María

2 Copies: 1ª- S1,T1; S2,A2,T2,B2. Ac.

2ª- S1,T1; S2(dup),A2(dup),T2,B2. Vl1,Vl2,Cbjo,Órg.

E-CU VIII-31

Motet for 7 with violines, Surge Propera

 

Obs: It appears in Restituto Navarro's catalogue, but it's not in the Archive

E-CU VIII-43

Motet for 7 with violins ad libitum, Ave Maris Stella

S2,A2,T2,B2. Vl1,Vl2,Cbjo,Órg1,Órg2.

The voices of first choir are left

Obs: In the arcive, the parts are misplaced, in this folder appear only the violins, the rest of the parts are in the folder VIII-75, although the number 43 is crossed out on the cover.

E-CU VIII-66

Motet for 9 a Ntra. Sra., Sancta et Inmaculata

S1Solo; S12, S22,A2,T2; S3,A3,T3,B3. Ac(dup).

E-CU VIII-70

Motet for 8 a Ntra. Sra., Quam  Gloriosa

S11,S21,A1,T1; S21,S22,A21,A22.

Sac,AcG,Ac2.

E-CU VIII-71

Motet for 8, Surge et Propera

S11,S21,A1,T1; S2,A2,T2,B2. Ac(dup).

E-CU VIII-73

Motet for 8 a Ntra. Sra.,

Sancta Maria Sucurre miseris

2 Copies: 1st: A1,T1;   S2(dup),A2,T2,B2. Ac,Ac2.

2nd: A1,T1; S2(dup),A2(dup),T2(dup), B2(dup). Ac(dup Órg),Ac2.

In Restituto Navarro's catalogue figures with number 77

E-CU VIII-75

Motet for 8, Ave Maris Stella

S11,S21,A1,T1; S2(dup), A2, T2(dup), B2(dup). Ac(dup),Ac2.

 

Section   IX - Salves

 

E-CU IX-21

Salve for 6

S1,T1; S2,A2,T2. Ac. One part is left

In Restituto Navarro's catalogue says for 5, but in the parts is written “a 6”

 

Section   XIII – Latin Hymns and Motets a san Julián

 

E-CU XIII-1

Hymn for 8 with violins ad libitum para san Julián, Iste Confesor

S11,S21,A1,T1; S2,A2,T2,B2. Vl1,Vl2,Cbjo,Órg1,Órg2.

E-CU XIII-6

Motet for 8 a san Julián, obispo de Cuenca, con ocasión de haberle hecho una Urna (o Arca) de plata, Surge Domine in Requiem tuam. 1695

S11,S21,A1,B1; S2(dup),A2(dup),T2(dup),B2(dup).

Vln,Arpa,Órg.

E-CU XIII-7

Motet for 7 a san Julián,

Beati Oculi

S11,S21,B1; S2(dup),A2,T2(dup),B2(dup).   Vln,Arpa,Órg.

E-CU XIII-11

Motet for 8 a san Julián,

Gaudete in Domino

S11,S21,A1,B1; S2(dup),A2(dup),T2(dup),B2(dup). Bajo1,Bajo2,Ac,Órg.

E-CU XIII-12

Motet for 5 a san Julián,

Hic est fratrum amator

A1Solo; S2(dup),A2,T2(dup),B2(dup). Vln,Ac,Órg.

E-CU XIII-13

Motet for 9 para la procesión de san Julián,

Surgam et circuibo civitatem

T1; S21,S22,A2,T2; S3(dup),A3(dup),T3(dup),B3(dup).

Vln,Arpa.

E-CU XIII-13

Motet for 8 a San Julián,

Corona Aurea

S11,S21,A1,T1; S2(dup),A2,T2,B2(dup). Ac(dup).

 

Section   XV – Latin Hymns a los santos

 

E-CU XV-19

Hymn for 4 de san Joseph

3 Copies: STAB.

 

Section   XVI – Motets al Señor y los santos

 

E-CU XVI-1

Motet for 7 Común de los apóstoles, tiempo de Pascua, Virtute Magna

S11,S21,T1; S2,A2,T2,B2. Órg,Cbjo.

E-CU XVI-3

Motet for 9 a la Santa Cruz

S1,T1; S2,A2,B2; S3,A3,T3,B3. Cbjo,Órg.

E-CU XVI-6

Motet for 5 de La Corona

A1,T1; S2,A2,B2. Ac(dup).

E-CU XVI-10

Motet for dúo and solo a san Julián, Gaudete in Domino

Alto al órgano, Tenor al arpa.

Ac al Órg(dup), Ac al arpa.

E-CU XVI-15

Motet for 5 para San Fernando, Accipe Sanctum Gladium

T1Solo; S2,A2,T2,B2.

Vl1,Vl2,Cbjo,Órg1,Órg2.

E-CU XVI-18

Motet for 8 a san Lorenzo,

Beatus Laurentius

S11,S21,A1,T1; S2,A2,T2,B2. Cbjo,Órg.

E-CU XVI-19

Motet for 7, Commune confesorum non Pontificium, Hic Vir,

2 Copies. 1st: S11,S21,T1; S2, A2,T2, B2. Cbjo, Ac.

2nd: S11,S21,T1; S2, A2,T2,B2. Cbjo, Ac.

Obs: The papers of the voices A2 and T2 are torn and only each half of them is preserved. B2 is torn too, but the two halves are preserved.

E-CU XVI-21

Motet for 7 with violines,

Joseph, fili David

S11,S21,T1; S2,A2,T2,B2.

Vl1,Vl2,Vln, Órg.

E-CU XVI-24

Motet for 9 with violins a los Santos Apóstoles san Pedro y san Pablo,

O Beati Apostoli

T1Solo; S2,A2,T2,B2; S3,A3,T3,B3.   Vl1,Vl2,Cbjo,Órg1,Órg2.

E-CU XVI-25

Motet for 8 with violins and clarín al Apóstol Santiago,

Iste est

S11,S21,A1,T1; S2,A2,T2,B2.   Vl1,Vl2,Cbjo,Clarín,Órg1,Órg2.

E-CU XVI-29

Motet for 6 a santa Librada

S1,T1,T1(acomodado); S2,A2,T2,B2. Cbjo,Órg.

E-CU XVI-31

Motet for 8 de confesores,

Euge serve bone

S11,S21,A1,T1; S2(dup),A2,T2(dup),B2(dup). Ac.

E-CU XVI-36

Motet for 8 de san Bernabé, Commune Apostolorum et Evangelistarum

S11,S21,A1,T1; S2,A2,T2,B2; Cbjo,Órg.

E-CU XVI-37

Motet for 7 a san Ildefonso

S11,S21,T1; S2,A2,T2,B2. Cbjo,Ac.

E-CU XVI-39

Motet for 9 a san Mateo Apóstol,

Vidit Jesus

S1,A1,T1,B1; S2,A2,T2,B2. One voice is left. Vl1,Vl2,Cbjo,Clarín,Órg1,Órg2.

E-CU XVI-40

Motet for 8 a la Dedicación de la Iglesia

S11,S21,A1,T1; S2,A2,T2,B2. Cbjo,Órg.

E-CU XVI-45

Motet for 8 a san Miguel,

Factum est Prelium

2 Copies, 1st: S11,S21,A1,T1; S2,A2,T2,B2. Cbjo,Ac.

2nd: (sXIX)- S11,S21. Cbjo.

E-CU XVI-47

Motet for 8, O Corona Miranda

 

Obs: It appears in Restituto Navarro's catalogue, but it's not in the Archive

 

Section   XIX - Sequences

 

E-CU XIX-1

Sequence for 5 de Resurrección

A1Solo; S2,A2(dup),T2,B2(dup). Ac.(dup).

E-CU XIX-2

Sequence for 6 de Resurrección

S1,A1,T1; S2,A2,T2,B2.

Cbjo,Órg1,Órg2.

Obs: On the cover is written "a 6", but seven voices are preserved.

E-CU XIX-3

Sequence for 9 del Espíritu Santo

3 Copies, 1st: S1Solo,T1Solo,B1Solo; S21,S22,A2; S3,A3,T3,B3.

Vl1,Vl2, Tpa1,Tpa2,Órg21,Órg22.

2nd: S1Solo; S21,S22,A2,T2;S3. Cbjo,Órg.

3rd: (sXX)- B1Solo; S21,S22. Cbjo(dup).

 

Section   XX - The Proper of the Time

 

E-CU XX-1

Hymn for 9 de Cuaresma,

Te Lucis ante terminum

S1Solo; S2,A2,T2,B2; S3,A3,T3,B3 Ac(dup),Órg(dup).

E-CU XX-2

Motet for 8 de Cuaresma, Convertimini ad me

S11,S21,A1,T1; S2,A2,T2,B2. Ac.

E-CU XX-3

Motet for 5 Dominica in Palmis,

Pater si non potest hic calix

S(dup), T(dup), Bajoncillo1(dup), Bajoncillo2(dup), Ac(dup).

E-CU XX-4

Motet for 4 de Adviento,

Clama in fortitudine

S1,S2,A,T; Ac.

E-CU XX-5

Motet for 8 para la Dominica 1ª de Adviento, Rorate Coeli

S11,S21,A1,T1; S2,A2,T2,B2(dup). Vl1,Vl2,Ac.

E-CU XX-6

Motet for 8 para la Dominica 2ª de Adviento, Clama in fortitudine

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Ac.

E-CU XX-7

Motet for 8 para la Dominica 3ª de Adviento, Tu qui es

S11Solo,S21,S31,A1,T1; S2,A2,T2,B2. Vln. S31 or A1 is sung.

E-CU XX-8

Motet for 8 para la Dominica 4ª de Adviento, Canite tuba in Sion

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Ac.

E-CU XX-9

Motet for 8 para la Dominica de Septuagésima, Ite et vos

S11,S21,A1,T1; S2,A2,B2. Ac(dup).

T2 is left.

E-CU XX-10

Motet for 8 para la Dominica de Sexagésima, Exiit qui seminat

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Ac.

E-CU XX-11

Motet for 8 para la feria 4ª Cinerum,

Inter vestibulum et altare

S11,S21,A1,T1; S2,A2,T2. Ac1,Ac2.

B2 is left.

E-CU XX-12

Motet for 8 para la Dominica de Quincuagésima,

Transeunte Domino

S11,S21,A1,T1; S2,A2,T2,B2. Ac(dup).

E-CU XX-13

Motet for 8 para la Dominica de Cuadragésima, 

Emendemus

S11,S21,A1,T1; S2,A2,T2,B2; Ac(dup).

S11 is a more recent copy of 1893

E-CU XX-14

Motet for 8 para la Dominica 2ª de Cuaresama,

Transfiguración del Señor

S11,S21,A1,T1; S2,A2,T2,B2. Cbjo,Ac.

E-CU XX-15

Motet for 8 para la Dominica 3ª de Cuaresama, Erat Jesus

S11,S21,A1,T1; S2,A2,T2,B2; Vln,Ac.

E-CU XX-16

Motet for 8 para la Dominica de Pasión, Venite mittamus lignum

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Ac.

E-CU XX-17

Motet for 8 para la Dominica 4ª de Cuaresama, Cum Sublevasset

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Ac.

E-CU XX-20

Motet for 7 para la Santísima Trinidad, Duo Seraphin

S11,S21,T1; S2,A2,T2,B2.

Cbjo,Ac,Órg1,Órg2.

E-CU XX-21

Motet for 12 para la Ascensión del Señor, Omnes gentes

S11,S21,A1,T1; S2,A2,T2,B2; S3,A3,T3,B3.   Vl1,Vl2,Cbjo,Órg1,Órg2.

E-CU XX-21

Motet for 7 para la Dominica de Sexagésima, Exiit qui seminat

S11,S21,A1,T1;A2,T2,B2. Bajoncillo.

 

Section   XXIII – Nones, Complines and Loose Magnificat

 

E-CU XXIII-7

Magnificat for 9

A1Solo; S21,S22,A2,T2; S3(dup),A3(dup),T3,B3. AcG,Ac2.

E-CU XXIII-8

Magnificat for 11

S11,S21,T1; S2,A2,T2,B2; S3,A3,T3,B3. Ac(trip),Ac2.

E-CU XXIII-13

Magnificat for 8

S11,S21,A1,T1; S3,A3(dup),T3(dup), B3(dup).Ac3(dup),AcG.

Obs: Restituto Navarro's catalogue says it's for 10 and it mentions parts S2 and T2 wich they aren't in the archive, there's not parts of the second choir. On all the parts is written "a 8".

E-CU XXIII-14

Magnificat for 8 de cuarto tono

S11,S21,A1,T1; S2,A2,T2,B2. Órg1(dup),Órg2.

Obs: Performed by Al Ayre Español in the concert celebrated on April 11, 2004, in Cuenca Auditorium, into the 43 Semana de Música Religiosa de Cuenca Festival.

http-//www.smrcuenca.es/portal/lang__es-ES/rowid__53764,20375/tabid__8544/default.aspx

E-CU XXIII-23

Magnificat for 8 de octavo tono

S1,A1,T1,B1; S2,A2,T2,B2. Órg1,Órg2.

 

Section   XXIV –  Vesper Loose Psalms

 

Dixit   Dominus

E-CU XXIV-7

Dixit Dominus for 8

S11,S21,A1,T1; S2,A2,T2,B2.

Cbjo,Órg1,Órg2.

E-CU XXIV-13

Dixit Dominus for 8

S11,S21,A1,T1; S2,A2,T2; Ac. B2 is left.

Obs: It's an older copy of the previous, E-CU XXIV-7

E-CU XXIV-14

Dixit Dominus for 10

S1,A1,T1; T3. Ac. The rest is left.

E-CU XXIV-15

Dixit Dominus for 7

2 Copies:, 1st: S1,A1,T1(Incompleto); S2(dup),A2(dup),T2(dup),B2(dup).   Ac.

2nd: S1 Only

E-CU XXIV-16

Dixit Dominus for 11

S1,A1,T1; S2,A2,T2,B2; S3,A3,T3,B3. Ac.

Obs:  On the cover and parts is written “a 10”

Laetatus   Sum

E-CU XXIV-LS-1

Laetatus sum for 8

S1,A1,T1; S2,A2,T2,B2. Ac,Órg1(dup), Órg.2.

One part of first choir is left.

E-CU XXIV-LS-2

Laetatus sum for 8

S1,A1,T1,B1; S2(dup),A2(dup),T2(dup). Ac,Órg.

B2 is left.

E-CU XXIV-LS-3

Laetatus sum for 11

S11,S21,T1; S21,S22,A2,B2; S3,A3,T3,B3. Chir1,Chi2,Sac1,Ac2.

Lauda   Jerusalem

E-CU XXIV-LJ-1

Lauda Jerusalem for 6

S1,T1; S2,A2,T2,B2; S31,S32,A3,T3. Órg1(dup),Órg2.

Obs: On the parts is written “a 6”, but there are 10 voices. The copies of the first choir and organ are more recent, the copies of second and third choir are older.

E-CU XXIV- LJ-4

Lauda Jerusalem for 8

S11,S21,A1,T1; S2,A2,T2,B2. Cbjo,Órg.

Laudate Dominum

E-CU XXIV- LD-15

Laudate Dominum for 6

A1,T1; S2(dup),A2(dup),T2(dup),B2(dup). Ac.

E-CU XXIV- LD-16

Laudate Dominum for 7

S11,S21,A1,T1; S2,A2,T2,B2; S3,A3,T3,B3.   Ac1(dup),Ac2.

Obs: On the parts is written “a 7”, but there are 12 voices.

E-CU XXIV- LD-17

Laudate Dominum for 8, Omnes gentes

S11,S21,A1,T1; S2,A2,T2,B2.

Ac1(dup),Ac.2.

 

Section XXV – Holy Week

 

E-CU XXV-2

Motet for 6 in Dominica Palmarum, Cum audisset

 

S1,S2,S3,A1,T1,B1. Ac(dup).

Holy Wednesday

E-CU XXV-MS-10

Lamentation 1st for 11

S1; S21,S22,A2,T2; S3. The rest is left.

E-CU XXV- MS-15

Lamentation 1st for 8

S1,A1,T1B1; S2,A2,T2,B2. Bajón1.

Holy Thursday

E-CU XXV- JS-10

Lamentation 1st for 8

S11,S21,A1,T1; S2,A2,T2,B2.

Vl1,Vl2,Vln,Ac(dupClave).

Holy Saturday

E-CU XXV- SS-1

Lamentation 1st for 8

S11,S21,A1,T1; S2,A2,T2,B2.

Ac(dupClave).

 

Section   XXVI – Misereres

 

E-CU XXVI-24

Miserere for 8

S1,A1,T1; S21,S22,A2,T2,B2.

Cbjo(dup),Ac.

E-CU XXVI-34

Miserere and Christus factus est for 9

Miserere- SATB

Christus- S1,T1; S21,S22,A2,T2; S3(Bajoncillo),A3,B3; Ac.

E-CU XXVI-37

Miserere and Christus factus est for 10

S1,T1; S21,S22,A2,T2; S3,A3,T3; S4,A4 (añadidos) AcG,Ac2,Ac3(Bajón)

 

Section   XXVII – Office for the Dead

 

E-CU XXVII-7

Office for the Dead for 8.

Invitatory and three lessons

S11,S21,A1,T1; S2,A2,T2,B2.

Ac.Clave,Cbjo(Vln).

E-CU XXVII-11

Motet for the Dead for 8,

Memento mei Deus

2 Copias, 1st: S11,S21,A1,T1; S2,A2,T2. AcG(dup),Ac2.

2nd: S11,S21,A1,T1; S2,A2,T2,B2. Vln,Cbjo.

E-CU XXVII-12

Motet for the Dead for 4, Vias tuas

S11,S21,A1,T1. Cbjo,Ac.

E-CU XXVII-13

Motet for the Dead for 6,

Hei mihi Domine

S1,A1,T1; S2,A2,B2. Vln,Ac(Clave).

Obs: On the parts is written “Mtro. Díaz” (his pupil and successor), on the cover is written "Xuárez"

E-CU XXVII-14

Motet for the Dead for 7,

Domine quando veneris

2 Copies, 1st: S1,A1,T1; S2,A2,T2,B2. Ac.

2nd: S1,A1,T1; S2,A2,T2,B2. Ac(dupVln).

E-CU XXVII-15

Motet for the Dead for 6,

Suscipe Domine

S1,A1,T1; S2,A2,T2,B2. Ac(dupVln).

E-CU XXVII-16

Motet for the Dead for 6,

Circundederunt me

2 Copies. 1st: S11,S21,A1,B1;(Elegir S21 o A1);   S2,A2,B2. Ac.

2nd: S1,A1,T1; S2,A2,T2,B2. Ac(dupVln).

Obs: On the second copy parts is written “a 7”

E-CU XXVII-17

Motet for the Dead for 8,

Sitivit anima mea ad Deum

2 Copies, 1st:  S11,S21,A1,T1; S2,A2,T2,B2(dup). Ac(dup).

2nd:  S11,S21,A1,T1; S2,A2,T2,B2.

Ac(dupCbjo).

E-CU XXVII-18

Motet for the Dead for 7,

Sicut Cervus

S1,A1,T1,B1; S2,A2,B2.

Ac is left, but there is a copy of 1893.

E-CU XXVII-23

Motet for the Dead for 7,

Pro patribus tuis

S1,A1,T1;   S2,A2,T2,B2. Ac.

Obs: On the cover and Ac. part is written: “Por el alma del padre de nuestro rey Felipe quinto” (The King's father was Louis of France, who was dead the April 14, 1711)

E-CU XXVII-24

Motet for the Dead for 7,

Regina Austri

S11,S21,A1,T1. Vln, Arpa, Clavicordio.

E-CU XXVII-25

Motet for the Dead for 7,

Delicta iuventutis mea

S1(bajoncillo),A1,Bajón1; S21,S22,A2,T2. Ac.

E-CU XXVII-28

Invitatory for the Dead for 8,

Regem cui

S11,S21,A1,T1; S2,A2,T2,B2. Ac(dup).

E-CU XXVII-29

Fourth lesson for the Dead for 8,

Responde mihi

S11,S21,A1,T1; S2,A2,T2,B2; Vln, Arpa.

E-CU XXVII-30

First lesson for the Dead for 8,

Parce mihi Domine

S11,S21,A1,T1; S2,A2,T2,B2; Ac(dup).

E-CU XXVII-32

Sequence for the Dead for 7,

Dies irae

S11,S21,A1,T1; S2(Bajoncillo1), A2(Bajoncillo2).

Bajo1,Bajón2,Oboe,Vln,Arpa.

Obs: In the part S2  is written: “Cuando se dice éste, se deja de hace el Bajo 1 y al contrario”. In Bajo1: “Cuando se dice este bajo no se dice el Bajoncillo 2º y al contrario”.

 

Section   XXVIII – Villancicos

 

E-CU XXVIII-63

Villancico a la Navidad for 8,

Los pastores de Belén

S11,S21,A1,T1; S2(dupCorneta), A2(dup),T2(dup),B2(dup). Ac(dup),Ac2.

 

 

     

 

Cathedral of Astorga E-AS

 

 Catalogue #

Sgnature

  Title  Staff

1420

E-AS 2-7

Gozos a Ntra. Sra. del Carmen

S11,S21,A1,T1. Vl1,Vl2,Ac.

1421

E-AS 2-8

Vesper Psalm  for 4,

Laudate Dominum

Coro, violins and Ac.

1422

E-AS 2-9

Cantada al Santísimo Sacramento

Tenor solo, violins and Ac.

1423

E-AS 2-10

Vesper Psalm for 4, Beatus Vir

Coro, violins and Ac.

1424

E-AS 2-11

Vesper Psalm for 4, Dixit Dominus

Coro, violins and Ac.

1425

E-AS 2-12

Magnificat for 4

Coro, violins and Ac.

Obs: The catalogue only details the staff of the first work and the incipit are not given; so it's not possible to determine is some works are copies of Cuenca Cathedral works.

 

Cathdral of Burgos   E-BUa

 

1506 and 1789

E-BUa 61/29

Motet for 6 a Ntra. Sra.,

Congratulamini mihi.

S1,A1; S2,A2,T2,B2; Ac(dup).

 

Cathral of Cádiz E-CZ

 

1274

E-CZ 11/9

Mass for 8,

Qui habitat

S1,A1,T1,B1; S2,A2,T2,B2. Ac.

1275

E-CZ 11/10

Sequence for 5 del Espíritu Santo,

Veni, Sancte Spiritus

S1; S2,A2,T2,B2. Vl1,Vl2,Ac1,Ac2.

1276

E-CZ 11/11

Sequences for 6 and for 10 de Resurrección,

Victimae Paschali laudes

S1,T1; S2(dup),A2(dup),T2(dup), B2(dup). Vl1,Vl2,Ac.1,Órg.

Obs: It could be the same work that  E-Sc  96-1-2, title and incipit match.

 

Colegial de Jerez E-JCe

 

E-JCe   5

Responso for 8, Memento mei Deus.

8v and Ac.

Obs: It could be a coppy of E-CU XXVII-11, but staff or incipit is not given.

 

Parroquia de  san Juan Bautista de Marchena E-MARjb

 

442

E-MARjb 18/13

Passion [of St Mark] for the Holy Tuesday for 4

SATB. Vl1,Vl2,Ac(dup).

 

Cathedral of Las Palmas de Gran Canaria E-LPA

 

E-LPA A/IV-3

Mass for 11, Tota pulchra est María

4S, 3A, 3T. Ac.

Obs: Staff is not detailed, in other workds is for 11 voices and three choirs.

 

Cathedral of Salamanca E-SA

 

2492

E-SA 59.24

Motet for de Dead for 7,

Cicundederunt me

S1,A1,T1; S2,A2,T2,B2. Ac.

Obs: It could be a coppy of E-CU XXVII-16, title, staff and incipit march. 

2493

E-SA

Motet for de Dead for 7,

Domine quando veneris

S1,A1,T1; S2,A2,T2,B2. Ac.

Obs: It could be a coppy of E-CU XXVII-14, title and staff match. Incipit is not given.

2494

E-SA 59.23

Mass for 4 (Kyrie. Gloria, Credo)

S1,A1,T1,B1. Vl1,Vl2,Ac.

 

Cathedral of Santiago de Compostela E-SC

 

E-SC 2179

Motet a Ntra. Sra. for 6,

Congralulamini mihi

6v and Ac.

Obs: It could be the same work that E-BUa  61/29, but starff is not detailed and incipit is not given.

 

Cathedral of Segovia E-SE

 

4047

E-SE 42/28

Villancico al Santísimo for 6,

Ay, cómo vuelan.

S11,S21,T1; S2,A2,T2. Ac.

 

Cathedral of Sevilla   E-Sc

 

1797

E-Sc 96-1-1

Mass for 7 sobre el Motet del maestro Tello (de San Fernando)

S11,S21,T1; S2,A2,T2,B2.   AcG.

1798

E-Sc 97-1-8

Motet for 5 a la Ascención de Nuestro Señor,

Videntibus illis.

S1; S2,A2,T2,B2. Ac(dup).

1799

E-Sc 98-1-4

Motet for 7,

O Ildephonse

S11,S21,T1; S2(dup),A2(dup), T2(dup),B2(dup).

Bajón,Vc2,Ac1,Ac2.

1800

E-Sc 97-1-5

Motet for 8 a la Visitación de Ntra. Sra.,

Surge propera amica mea

S11,S21,A1,T1; S2,A2,T2,B2.

Vc(dupBajón). 1 copy more recent of Ac.

1801

E-Sc 97-1-4

Motet for 8 a Ntra. Sra.,

Benedicta filia tua

S1,A1,T1; S2,A2,T2,B2. Ac(dup).

1802

E-Sc 98-1-1

Motet for 8 a San Lorenzo,

Levita Laurentius

S11,S21,T1; S2,A2,T2,B2.

Bajón2,Vc2,Ac1,Ac2.

1803

E-Sc 98-1-3

Motet for 8 Común de doctores,

O Doctor Optime

S11,S21,T1; S2,A2,T2,B2. Órg2.

1804

E-Sc 97-1-2

Motet for 9 a la Santísima Cruz,

Dum Sacrum Pignus

T1,B1; S2,A2,T2,B2;   S3,A3,T3,B3. Vc,Ac.

1805

E-Sc 98-1-5

Motet for 9 a San Matheo,

Vidit Jesus

S1; S2,A2,T2,B2;   S3,A3,T3,B3. Vc2,Ac(dup).

1806

E-Sc 98-1-2

Motet for 8 a la degollación de San Juan Bautista,

Missit Rex incredulus

S11,S21,A1,T1; S2,A2,T2,B2. Vc,Bajón2,Ac(dup).

1807

E-Sc 97-1-1

16 Motets for 6, 7 and 8 de Cuaresma and Adviento

S11,S21,A1,T1; S2,A2,T2,B2. Ac.

1807(1)

Ite et vos

 

1807(2)

Exi it qui seminal

 

1807(3)

Transeunte Domino

 

Obs: It's the same work that E-CU XX-12

1807(4)

Inter vestibulum

 

Obs: It coul be the same work that E-CU XX-11, same title and very similar incipit.

1807(5)

Emmendemus

 

1807(6)

Assumpsit Iesus

 

1807(7)

Erat Iesus

 

Obs: It coul be the same work that E-CU XX-15, same title and very similar incipit.

1807(8)

Cum sublevasset

 

Obs: It coul be the same work that E-CU XX-17, title and incipit match.

1807(9)

O vos omnes

 

1807(10)

Vivo ego

 

1807(11)

Sicut cervus

 

Obs: It coul be the same work that E-CU XXVII-18, title and incipit match.

1807(12)

Sitivit anima mea

 

1807(13)

Rorate caeli

 

1807(14)

Canite tuba in Sion

 

Obs: It coul be the same work that E-CU XX-8, same title and very similar incipit.

1807(15)

Tu quis es?

 

1807(16)

Clama in fortitudine

 

Obs: It coul be the same work that E-CU XX-6, title and incipit match.

1808

E-Sc 96-1-3

Sequence for 8 del Santísimo

S11,S21,A1,T1; S2,A2,T2,B2. Ac(dup).

1809

E-Sc 96-1-2

Sequence for 6 de la Resurrección de Nuestro Señor,

Victimae Paschali laudes

S1,T1; S2,A2,T2,B2. Ac(dup).

1810

E-Sc 96-1-2

Sequence for 6 de la Resurrección de Nuestro Señor,

Victimae Paschali laudes

S1,A1; S2,A2,T2,B2. Ac.

 

Real Colegio del Corpus Christi de Valencia E-VAcp

 

E-VAcp 2787

Motet para la Festividad de la Sta. Cruz for 9, Dum sacrum pignus

T1;   S2,A2,T2,B2; S3,A3,T3,B3. Ac.

Obs: It coul be the same work that E-Sc 97-1-2, title, staff and incipit match.

E-VAcp 2788

Motet para las Festividades de Ntra. Sra. for 8, Vulnerasti cor meum

S1,A1,T1,B1; S2,A2,T2,B2.   Ac.

Obs: This two motets were edited by Hilarión Eslava in Lira Sacro-Hispana, Volume 1º, Serie1ª - s. XVII

 

Cathedral of Valladolid E-V

 

7193

E-V 51/47

Villancico al Santísimo for 6,

Pasmo del amor y gracia

S11,S21,A1,T1. Ac.

 

Bayerische Staatsbibliothek, Munich D-Mbs

 

D-Mbs Mus.ms. 63

Villancico for 4, En glorias de María

S11,S21,T1. Ac(dup).

 

Centro   Nacional de Investigación, Documentación e Información Musical, México, DF. MEX-Mcndim   [Antes: Instituto Nacional de Bellas Artes MEX-Minba]

 

 

Villancico al Nacimiento for 4,

Venid zagales, veréis a un Dios niño

S11,S21,A1,T1. Ac.

 

Biblioteca  nacional de España, Madrid E-Mn

 

E-Mn MC/3882/30

Villancico al Santísimo Sacramento for 8,

Contra el mundo y sus vicios

S11,S21,A1,T1; S2,A2,T2,B2. Vln,Arpa,Órg.

 

 

Abreviation

A

Contralto

Obs

Note

Ac

Accompaniment

Órg

Organ

AcG

General accompaniment

S

Soprano

B

Bass

Sac

Sackbut

Bar

Baritone

T

Tenor

Cbjo

Double bass

Tpa

Horn

Chir

Chirimia

trip

Tripled

dup

Duplicate

Vc

Violoncello

Estr.

Chorus

Vl

Violin

Int.

Introduction

Vln

Violon

Red color: Absence of works or parts.

Blue color: Works to raise doubts in his attribution.

Green color: Works possibly duplicate.